Artists of the Inkers group

CATH BROOKE
I currently mainly use monoprint, drypoint, collograph, chine colle and screen print techniques - often combining the techniques together.
I usually print an edition of between 1 - 5 prints.
Julia Clegg
JULIA CLEGG
At present I am moving into a more interactive process of printmaking, building series of images through screen monoprints, sometimes over previous works made using different print techniques.
Janine Denby
JANINE DENBY
My recent prints are multicoloured collagraphs, a process that has been chosen for its tactile surface quality, potential for vigorous mark making and ability to create expressive colour combinations.
Lucy Hainsworth
LUCY HAINSWORTH
Although I trained as a sculptor, I am very happy working as draughtsman, watercolourist and printmaker. Through Inkers I have branched into a wide-ranging variety of themes and experimental techniques.
Andrew Hambleton
ANDREW HAMBLETON
I have had success with my printmaking, exhibiting both in the UK and abroad. I’ve worked in most printmaking media including etching/aquatint, lithography, monoprinting and woodcut.
Emily Harvey
EMILY HARVEY
For me, printmaking is an exciting process of creative experiment.
Prints are produced in small editions of up to 10, and there are usually variations within each edition; no two prints are absolutely identical.
Paul Hudson
PAUL HUDSON
I work mainly with etching,silkscreen and wood/lino. My increasing concerns about ecology,abuses of nature and our fellow men, are what tend to drive my image making at present.
Sammy Palfrey
SAMMY PALFREY
I moved from textiles and painting into printmaking 5 years ago, and got hooked. I work from my own studio in Marsden, overlooking stunning Yorkshire landscape and also teach in the area.
Jenny Thomas
JENNY THOMAS
I am a painter, printmaker and photographer. I work from memory using a variety of printmaking techniques, specialising in monoprint, linocut and woodcut, and various relief print methods in combination.
Ian Wrench
IAN WRENCH
I am attracted to man’s effect on the environment and seek to reflect this in screen print, collograph, monoprint and etching. I find the variety and contrast around me a never ending source of inspiration.